At this point I'm not sure the world needs another full review of Avatar, since I'm likely to be busy recovering from
Pandora withdrawal ;) and others such as Ari Armstrong have done a nice job of
reviewing it already. However, I do have some thoughts.
A film with heavy-handed multiculturalist and environmentalist themes is an unlikely candidate for positive reviews with Objectivists, but with a few caveats, I found it to be an entertaining and enjoyable science fiction/fantasy movie.
I've seen it twice, once in 3D and once in IMAX 3D. I thought the IMAX version was clearer and the 3D was a bit easier on the eyes. However, in both versions, bright reflections, fast motion, and extreme foreground objects were the most difficult to see properly, and were occasionally jarring especially in fast motion. Calmer scenes with objects behind the picture plane (the plane of the movie screen) were astonishing in their reality. I think next time I'd pick a seat closer to the middle of the theatre (both left/right and front to back) because the 3D effect seemed to be geared to the center.
My primary positive reaction was that this movie contained a lot of
joy: joy of discovery, of the feeling of expert motion, of flying, of holding on to something of importance to you, of discovering love. Since I enjoy running in the mountains, the scenes in the forest, and running between the floating mountains, were especially effective for me; on a great day on the trails, that's totally how I feel!
The world itself was an astonishing feat of imagination. Don't ask me how mountains and rocks fly, but it sure
looked like they could. It's science fiction/fantasy, and within the context of its assumptions, it's believable. The nighttime scenes with phosphorescent plants: wow! I could probably just watch scenes of the forest for hours.
Both the 3D effect and the overall CGI quality were outstanding. The creativity displayed in the details of this world was amazing and a pleasure to watch. The world, the forest and sky and their respective creatures, the machinery, the action itself were all incredible.
As usual I have to nitpick and say that the human bodily movements still lacked an edge of grace and natural randomness, and therefore believability. An animal's body, no matter how taut and conditioned, shakes with random motion and has inertia, and does not follow a mathematical path in a linear manner. For example, jumping up onto something requires a more explosive release of energy than jumping down, to overcome the mass involved. Sometimes the CGI work did not reflect this. However, as I said this is a nitpick, and only constitutes a very small fraction of the overall effect. We are so intimately familiar with the human body's movements that it sets the bar for imitation extremely high.
I enjoyed the relationship of Jake Sully and Neyteri quite a bit. There's not a great deal of detail and depth to their interaction, since larger events tend to move the plot, but there's the suggestion of development under the surface, and it works. Neyteri is a terrific and effective character: passionate and attractive, athletic and competent, her emotional responses are full-force and right on the surface, she's stubborn for the right reasons, and is very single-minded in the good sense of sticking to her beliefs, yet changes them when reason requires -- such as her bad opinion of all outsiders when she learns to appreciate Jake. I like her teeth-baring hiss too, which says in effect: I'm a force to be reckoned with, and I am not afraid of anything. Jake is gung-ho and elated to have his legs back when he's inhabiting his Avatar. His character is the equal of Neyteri, as he discovers the truth about what's going on, changes his mind about his mission based on what he thinks is right, and defends those who are wronged. Good stuff! But then again, the whole cast, both real and computer-generated, is very good. It was nice to see
Ripley again too :) and
Stephen Lang made a great cold-blooded villain that you loved to hate. And I was glad to see
Michelle Rodriguez on the big screen again as Trudy, a mercenary with a conscience.
Philosophically, of course I don't go for the noble savage thing, and in my opinion this supplied the most cringe-worthy moments of the movie. However, the occasional flat-footed tribal moment was fairly benign and did not interfere with the overall plot and effect enough to ruin it. In this regard the writers added a notable underpinning to the Na'vi's animism: the movie suggests that there is a real
biological basis for it, and therefore gives it a (very) tenuous plausibility. This does help to temper the mysticism somewhat and suggests that their religion is similar to early religion on Earth: it was an early attempt at a philosophical and scientific understanding of the world.
It's also dreary and unoriginal to see yet another corporate villain, especially post-Atlas Shrugged. Give me a break already! The moral status of the human miners seems to be intentionally ambiguous; all prior history and legal details are omitted for the sake of placing the two cultures into irreconcilable conflict. This is both good and bad. The bad is that it allows a relativist, pro-environmentalist message to be projected upon that ambiguity. The good is that it also accommodates the view I adopted while watching the movie, which is the simple premise of an admittedly primitive people defending their home against someone who would destroy it.
From an objective standpoint, there's nothing admirable (or corporate) about the mining company's violent strategy. It is theft, plunder and mass murder, pure and simple. Of course historically, similar attitudes have always been enabled by government intervention, not commerce, and it's doubtful that a society that has so little regard for property rights would have developed sufficient wealth to allow private companies to travel into space for commercial purposes. In any case, the rational course of action would have been that if there were no way to rationally convince the Na'vi to allow mining, the company would have had to drop its plans. The Na'vi were primitive, but they debated over possible courses of action, and were therefore obviously capable of considering rational arguments. The humans were thus truly the villains and the Na'vi were truly the heroes for defending their home.
That's about it. I look forward to getting a DVD copy of this so I can watch it at my leisure, although I may need a better TV, so I can fully enjoy the artistry at home. I may see it again in 3D before it leaves theatres, which may be a while longer, judging from the full theater when I saw it.
Update - added the paragraph about Jake and Neyteri.